TV Work and Film Credit Portfolio
This page brings together a selection of my film and television credits across factual, documentary, and entertainment projects. The work featured reflects a mix of hands-on camera operator and shooting roles, alongside positions as researcher, production coordinator, and shooting assistant producer. Each credit highlights my involvement at different stages of production, from development and research through to filming on location, demonstrating my versatility and collaborative approach within fast-paced broadcast and film environments.
Proud to Have Worked With the Following Companies and Brands
Production Coordinator
I worked as an Assistant Producer on Fur Babies for Channel 4 at Wonderhood Studios, contributing to the project from development through production. In this role, I collaborated closely with the creative team to manage logistics and scheduling between contributors, ensuring smooth and efficient production workflows. I also supported casting research and provided creative input to help align visual elements with the programme’s objectives and themes, while leading casting planning across the research team to ensure all logistics and resources were in place for a seamless shoot.
Twits - Netflix
Assistant Producer
I worked as a Production Coordinator on The Twits animated series for Netflix, supporting the production team across multiple stages of the animation pipeline. In this role, I coordinated schedules, workflows, and communication between internal departments and external partners to ensure deadlines were met smoothly. I managed production tracking, documentation, and delivery requirements, while supporting the producers with day-to-day logistics and problem-solving. My role required strong organisational skills, attention to detail, and clear communication to keep a fast-moving animated production running efficiently and on schedule.
Fur Babies - Channel 4
Dirty home rescue - Channel 5
Casting Researcher and D.O.C. Assistant Producer
I worked as a Casting Researcher and D.O.C. Assistant Producer on Dirty Home Rescue for Channel 5 at Crackit Productions. In this role, I sourced and interviewed potential contributors, managing casting throughout the production process while ensuring participant welfare and strict adherence to health and safety protocols on set. I coordinated logistics, scheduling, and communication across teams to support smooth production operations, and assisted the production team during filming to maintain efficiency in a fast-paced environment.
Season 3
TV Researcher
I worked as a TV Researcher on Paranormal Caught on Camera for Discovery Plus/Channel 5 at Back2back Productions. My role involved researching and sourcing potential contributors, conducting outreach and initial interviews to uncover compelling stories, and assisting with background checks to verify claims. I collaborated closely with the production team to ensure smooth casting logistics and scheduling, and occasionally supported on set as a Camera Assistant, helping with equipment setup and shot coordination. This position allowed me to combine research, communication, and hands-on production skills in a fast-paced environment.
Unexplained caught on camera - Discovery Plus / Prime videos
Sun, Sea and Selling Houses - Channel 4
Season 5, Portugal
TV Shooting Researcher
I worked as a TV Shooting Researcher on Sun, Sea and Selling Houses (Season 5, Channel 4) in Portugal for Ricochet TV Production. In this role, I managed location, contributor, and area release forms, coordinated on-site permits, and handled logistics to ensure smooth production operations. Working within a small team, I also recorded sound and assisted with camera operation, while supporting the casting team with background checks and contributor verification. I collaborated closely with the Assistant Producer and Producer-Director to maintain a productive schedule and efficient workflow throughout filming.
Season 1, Southampton UK
Camera Operator
I started on Kings of the Woods for Quest in Southampton as a Shooting Camera Assistant, responsible for setting up cameras, moving and rigging equipment, and ensuring all four shooters had the lenses and gear they needed. Within about a week, I was promoted to Camera Operator, taking over full responsibility for camera work and delivering high-quality footage. This experience demonstrates my adaptability, technical skill, and ability to step up quickly in a fast-paced production environment.